Guo Degang can have his current status in the cross talk circle, in fact, "well said" is only part of the reason. If you pull the growth timeline of Deyun Club, you phone number list will find that the vigorous discussion of "professionals and laypeople" was also a very important reason. For example, this "Rocket Expert Theory" that has been guided into countless works and interviews:
"If an expert argues with a layman, it is a layman. For example, I said to a rocket scientist, your rocket is not good, the fuel is not good, I think it is necessary to burn wood, preferably coal, and the best choice for coal is clean coal. If that scientist looks me right in the eye, he loses."
In short, in Guo Degang's view, only by recognizing and abiding by these "experts' homework", and trying not to leave room for "experts", can the cross talk industry have the possibility of upward and healthy development, commonly known as "don't let bad money drive out good money".
And it is precisely with such persistence that cross talk, which was almost assimilated by other forms of comedy, has become an art form with a high threshold for participation, and it has also repositioned a correct development track in the atmosphere of high threshold, and finally After hatching in 2006, crosstalk came out of the "party stage" and the golden age of club theaters emerged one after another.